{"title":"もの派","description":"\u003cstyle\u003e\n#MainContent:has(.monoha-reference) {row-gap:0!important;}\n#MainContent \u003e .shopify-section:has(.monoha-reference) {margin-top:0!important;}\n.collection-hero:has(.monoha-reference) {padding:0!important;}\n.collection-hero:has(.monoha-reference) .collection-hero__inner {display:block!important;padding-top:0!important;padding-bottom:36px!important;}\n.collection-hero:has(.monoha-reference) .collection-hero__text-wrapper {width:100%;flex-basis:100%;padding:0!important;}\n.collection-hero:has(.monoha-reference) .collection-hero__description {max-width:100%!important;width:100%;margin:0!important;}\n.collection-hero:has(.monoha-reference) .collection-hero__image-container {display:none!important;}\n.collection-hero:has(.monoha-reference) .collection-hero__title {position:absolute;width:1px;height:1px;padding:0;margin:-1px;overflow:hidden;clip:rect(0,0,0,0);white-space:nowrap;border:0;}\n.monoha-reference figure {margin:0 0 40px;}\n.monoha-reference .monoha-hero-grid {display:grid;grid-template-columns:0.65fr 1fr;background:#171717;align-items:center;}\n.monoha-reference .monoha-hero-title {padding:40px;color:#fff;}\n.monoha-reference .monoha-hero-title .monoha-eyebrow {font-size:12px;letter-spacing:.16em;margin:0 0 24px;}\n.monoha-reference .monoha-hero-title .monoha-en {font-size:clamp(28px,4.2vw,60px);line-height:1.1;letter-spacing:.02em;font-weight:600;margin:0 0 12px;}\n.monoha-reference .monoha-hero-title h2 {color:#fff!important;font-size:32px;margin:0 0 30px;}\n.monoha-reference .monoha-hero-title .monoha-sub {font-size:15px;line-height:1.9;margin:0;}\n.monoha-reference .monoha-hero-grid img {display:block;width:100%;max-width:none;height:auto;object-fit:contain;margin:0;border:0;box-shadow:none;}\n.monoha-reference figcaption {font-size:12px;color:#555;line-height:1.8;margin-top:12px;}\n.monoha-reference .monoha-copy {max-width:920px;margin:0 auto;line-height:1.9;}\n.monoha-reference .monoha-copy h2 {margin-top:44px;}\n.monoha-reference .monoha-copy li {margin-bottom:12px;}\n@media(max-width:749px){.monoha-reference .monoha-hero-grid{grid-template-columns:1fr;}.monoha-reference .monoha-hero-title{padding:28px;}.monoha-reference .monoha-hero-title .monoha-en{font-size:38px;}.monoha-reference .monoha-hero-title h2{font-size:26px;margin-bottom:16px;}.monoha-reference .monoha-copy h2{font-size:24px;}.monoha-reference figcaption{font-size:11px;}}\n\u003c\/style\u003e\u003cdiv class=\"monoha-reference\"\u003e\n\u003cfigure\u003e\u003cdiv class=\"monoha-hero-grid\"\u003e\n\u003cdiv class=\"monoha-hero-title\"\u003e\n\u003cp class=\"monoha-eyebrow\"\u003eROIDWORKSGALLERY COLLECTION\u003c\/p\u003e\n\u003cp class=\"monoha-en\"\u003eMONO-HA\u003c\/p\u003e\n\u003ch2\u003eもの派\u003c\/h2\u003e\n\u003cp class=\"monoha-sub\"\u003eObjects, space,\u003cbr\u003eand what lies between.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0749\/0211\/0380\/files\/sekine-phase-mother-earth-1968-murai-original.jpg?v=1792377046\" alt=\"関根伸夫《位相―大地》1968年、神戸市立須磨離宮公園の展示風景。写真：村井修。Courtesy of the artist／Wikimedia Commons、CC BY-SA 4.0。トリミング・色調変更なし。\" width=\"1600\" height=\"1600\" loading=\"eager\"\u003e\n\u003c\/div\u003e\n\u003cfigcaption\u003e関根伸夫《位相―大地》 (1968), Kobe Municipal Suma Rikyu Park. Photo: 村井修 (Osamu Murai). Courtesy of the artist \/\u003ca href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Phase%E2%80%94Mother_Earth,_1968.jpg\" target=\"_blank\" rel=\"noopener\"\u003eWikimedia Commons\u003c\/a\u003e、\u003ca href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\" target=\"_blank\" rel=\"noopener\"\u003eCC BY-SA 4.0\u003c\/a\u003e. The photograph is shown without cropping or color changes. Reference image; not a work offered for sale.\u003c\/figcaption\u003e\u003c\/figure\u003e\u003cdiv class=\"monoha-copy\"\u003e\n\u003cp\u003eReconsidering the relationships between objects, places and viewers.\u003c\/p\u003e\n\u003cp\u003eStone, earth, wood, iron and paper: Mono-ha questioned relationships between familiar materials and space, becoming a significant current in postwar Japanese art. This collection introduces works by Nobuo Sekine and other artists associated with Mono-ha, alongside their backgrounds.\u003c\/p\u003e\n\u003ch2\u003eWhat is Mono-ha?\u003c\/h2\u003e\n\u003cp\u003eMono-ha is an art movement that developed in Japan from the late 1960s to the early 1970s. Using natural materials and industrial products, its artists focused on materials’ inherent qualities and relationships arising through contact. It was not a formally constituted group with shared rules, but a term for the practices of artists with different ideas.\u003c\/p\u003e\n\u003ch2\u003eFrom making forms to discovering relationships\u003c\/h2\u003e\n\u003cp\u003eIn Mono-ha, weight, mutual support, distance and location matter. Combining and placing materials, and acting on a site, reveals relationships between things and between things and people. One attraction is the opportunity to perceive familiar substances and spaces anew through one’s own senses.\u003c\/p\u003e\n\u003ch2\u003eQuestions opened by Nobuo Sekine’s 《位相－大地》\u003c\/h2\u003e\n\u003cp\u003eIn 1968, Nobuo Sekine presented 《位相－大地》 at Suma Rikyu Park in Kobe. A cylindrical hole was dug in the ground, with the excavated earth piled beside it as a corresponding cylinder. Digging and moving earth revealed relationships between space and matter. The work became an important catalyst for Mono-ha, while Lee Ufan’s reflections supported its theoretical development.\u003c\/p\u003e\n\u003ch2\u003eArtists associated with Mono-ha\u003c\/h2\u003e\n\u003cp\u003eMono-ha was not an organization with membership or a unified manifesto. Nobuo Sekine, Lee Ufan, Kishio Suga, Susumu Koshimizu, Katsuro Yoshida and Katsuhiko Narita, as well as Koji Enokura, Noboru Takayama and Noriyuki Haraguchi, are important to discussions of the movement and its surroundings. Each developed a different expression through an engagement with materials and space.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e関根伸夫\u003c\/strong\u003e: 《位相－大地》 (1968) provided an important catalyst for Mono-ha. Changes in form and appearance became ways to explore how objects and space are perceived.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e李禹煥\u003c\/strong\u003e: The 《関係項》 series combines stone, iron, glass and other materials to question relationships between things and places. The artist’s writing also supported Mono-ha’s theoretical development.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e菅木志雄\u003c\/strong\u003e: Placing, arranging and bending wood, stone and metal became ways to explore relationships between materials, places and people, focusing on situations created by the placement of things.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e小清水漸\u003c\/strong\u003e: In the 《かみ》 series, paper and stone highlight contrasts in lightness, weight and surface texture. Engaging with materials’ qualities, the artist continues to question what sculpture is.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e吉田克朗\u003c\/strong\u003e: Works such as 《Cut-off No.2》, using timber and steel plate, reveal combinations of materials and the effects of gravity. Experiments including transfer techniques later led to painting.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e成田克彦\u003c\/strong\u003e: Known for the 《SUMI》 series using charcoal. Later working in two-dimensional formats as well, the artist continued experimenting with different forms and materials.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e榎倉康二\u003c\/strong\u003e: While associated with Mono-ha, the artist independently explored contact between body and matter. Phenomena such as permeation and bleeding extended into painting, photography, prints and installation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e高山登\u003c\/strong\u003e: Railway sleepers, iron, wax and other materials were used to explore their strong presence and relationship to surrounding space. Alongside large installations, the artist also made prints and drawings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e原口典之\u003c\/strong\u003e: Industrial materials such as waste oil and metal connect matter with its surrounding environment. In 《オイル・プール》, people and landscapes reflected on the oil’s surface also become part of the experience.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAlso,\u003cstrong\u003e高松次郎\u003c\/strong\u003e influenced Sekine and others through earlier experiments with vision and existence, and through teaching at Tama Art University. This practice is essential to understanding the background to Mono-ha’s emergence.\u003c\/p\u003e\n\u003cp\u003e\u003csmall\u003eReference sources:\u003ca href=\"https:\/\/www.nmao.go.jp\/archive\/exhibition\/2005\/post_122.html\"\u003e国立国際美術館「もの派―再考」\u003c\/a\u003e、\u003ca href=\"https:\/\/www.nact.jp\/exhibition_special\/2022\/leeufan\/\"\u003e国立新美術館「李禹煥」\u003c\/a\u003e、\u003ca href=\"https:\/\/www.ima.or.jp\/exhibition\/temporary\/20211218.html\"\u003e岩手県立美術館「菅木志雄展」\u003c\/a\u003e、\u003ca href=\"https:\/\/lesoeuvres.pinaultcollection.com\/en\/artwork\/paper\"\u003eピノー・コレクション《Paper》\u003c\/a\u003e、\u003ca href=\"https:\/\/www.moma.pref.kanagawa.jp\/exhibition\/2024-yoshida-katsuro\/\"\u003e神奈川県立近代美術館「吉田克朗展」\u003c\/a\u003e、\u003ca href=\"https:\/\/www.zokei.ac.jp\/museum\/exhibition2015\/\"\u003e東京造形大学「成田克彦」展\u003c\/a\u003e、\u003ca href=\"https:\/\/www.momat.go.jp\/exhibitions\/r7-2-g4\"\u003e東京国立近代美術館「榎倉康二」\u003c\/a\u003e、\u003ca href=\"https:\/\/www.pref.miyagi.jp\/site\/mmoa\/exhibition-20100123-s01-01.html\"\u003e宮城県美術館「高山登展」\u003c\/a\u003e、\u003ca href=\"https:\/\/www.yokosuka-moa.jp\/archive\/exhibition\/2011\/20110211-109.html\"\u003e横須賀美術館「原口典之・若江漢字」\u003c\/a\u003e。\u003c\/small\u003e\u003c\/p\u003e\n\u003ch2\u003eNobuo Sekine’s subsequent practice\u003c\/h2\u003e\n\u003cp\u003eNobuo Sekine (1942–2019) was born in Saitama Prefecture. After studying at Tama Art University and its graduate school, the artist participated in the Japan Pavilion at the 1970 Venice Biennale. Alongside sculpture, painting and prints, the practice extended to art in public spaces and landscape.\u003c\/p\u003e\n\u003cp\u003eThis section introduces Mono-ha’s historical activities and the artists’ later individual practices through their dates and contexts. The listed 《G6-203 裏返るトーラス》 (1989) is a mixed-media work by Sekine made after Mono-ha’s formative period. Please also consider each work’s materials, composition and surface.\u003c\/p\u003e\n\u003ch2\u003eSources for the commentary\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.nmao.go.jp\/archive\/exhibition\/2005\/post_122.html\" target=\"_blank\" rel=\"noopener\"\u003e国立国際美術館「もの派―再考」\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.bunka.pref.mie.lg.jp\/art-museum\/55660038733.htm\" target=\"_blank\" rel=\"noopener\"\u003e三重県立美術館: glossary entry on “もの派”\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.tobunken.go.jp\/materials\/bukko\/2041001.html\" target=\"_blank\" rel=\"noopener\"\u003e東京文化財研究所「関根伸夫」\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.museum.toyota.aichi.jp\/collection\/sekine-nobuo\" target=\"_blank\" rel=\"noopener\"\u003e豊田市美術館「関根 伸夫」\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/venezia-biennale-japan.jpf.go.jp\/j\/art\/1970\" target=\"_blank\" rel=\"noopener\"\u003e国際交流基金: 35th Venice Biennale International Art Exhibition\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","products":[{"product_id":"nobuo-sekine-reversing-circle-1989-62355","title":"関根伸夫「G6-203 裏返るトーラス」1989年","description":"\u003ctable\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003e作家\u003c\/th\u003e\n\u003ctd\u003e関根伸夫 \/ Nobuo Sekine\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003e作品名\u003c\/th\u003e\n\u003ctd\u003eG6-203 裏返るトーラス \/ Reversing circle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003e制作年\u003c\/th\u003e\n\u003ctd\u003e1989年\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003e技法\u003c\/th\u003e\n\u003ctd\u003eミクストメディア\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003e作品サイズ\u003c\/th\u003e\n\u003ctd\u003e41.0 × 32.0 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003e額サイズ\u003c\/th\u003e\n\u003ctd\u003e約54.0 × 44.8 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003e署名・付属資料\u003c\/th\u003e\n\u003ctd\u003e裏面に作家の記載・共シール。日本洋画商協同組合「鑑定登録証書」付（No.224、2025年7月14日）\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003e販売価格\u003c\/th\u003e\n\u003ctd\u003e770,000円（税込）／700,000円（税抜）\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch2\u003e作品について\u003c\/h2\u003e\u003cp\u003e金色の表面に円環を思わせる輪郭と開口部が重なり、画面の凹凸や奥行きが印象を変える作品です。写真では、表面を走る線や起伏、開口部の暗がりと金色の対比が見られます。形と空間を見つめ直す視点から、一点の表情をゆっくりお楽しみください。\u003c\/p\u003e\u003cp\u003e本作は1989年制作のミクストメディア作品です。作品名・制作年・技法・作品寸法は、掲載した鑑定登録証書と照合しています。額寸法は作品管理資料の記録によります。\u003c\/p\u003e\n\u003ch2\u003e関根伸夫ともの派\u003c\/h2\u003e\u003cp\u003e関根伸夫（1942–2019）は、埼玉県生まれの美術家です。多摩美術大学と同大学院で学び、1968年に発表した《位相－大地》が、もの派の成立を促す重要な契機となりました。形や見え方の変化を通して、物体と空間をどのように捉えるかを問い続けた作家です。\u003c\/p\u003e\u003cp\u003e1970年にはヴェネチア・ビエンナーレ日本館に参加し、《空相》を発表。その後は彫刻、絵画、版画や公共空間の美術へと活動を広げました。本作は、もの派の成立期より後に制作された関根個人の作品です。歴史的な動向と、その後の制作の広がりをあわせてご紹介します。\u003c\/p\u003e\n\u003ch2\u003eコンディションと額装\u003c\/h2\u003e\u003cp\u003e額装済みの作品です。既存の検品・出品記録では、額から外しての確認は行われておらず、額に隠れる縁や作品自体の裏面は未検査です。表面の凹凸や開口部、額の状態は、正面・斜め・詳細・額裏の実物写真をご確認ください。写真の照明や閲覧環境によって、色や光沢の見え方が異なる場合があります。\u003c\/p\u003e\n\u003ch2\u003e鑑定登録証書について\u003c\/h2\u003e\u003cp\u003e日本洋画商協同組合の鑑定登録証書が付属します。証書写真に記載された作品名、制作年、技法、寸法を掲載しています。詳細は7枚目の写真をご覧ください。\u003c\/p\u003e\n\u003ch2\u003eご購入前のご相談\u003c\/h2\u003e\u003cp\u003eコンディション、額装、付属資料、配送についてはroidworksgalleryへお問い合わせください。\u003c\/p\u003e\n\u003cp\u003e\u003csmall\u003e掲載画像は本作品の実物写真です。\u003c\/small\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/ja-jp\/collections\/mono-ha\"\u003e← もの派のコレクションへ\u003c\/a\u003e · \u003ca href=\"\/ja-jp\/pages\/collections\"\u003eコレクション一覧\u003c\/a\u003e\u003c\/p\u003e","brand":"roidworksgallery","offers":[{"title":"Default Title","offer_id":47648557629612,"sku":"62355","price":770000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/0211\/0380\/files\/sekine-62355-front.webp?v=1792375374"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/0211\/0380\/collections\/sekine-phase-mother-earth-1968-murai-original.jpg?v=1792377085","url":"https:\/\/shop.roidworksgallery.com\/en\/collections\/mono-ha.oembed","provider":"roidworksgallery","version":"1.0","type":"link"}